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Tuesday
Just how far is the East from the West?
Monday
Do you have feet?
Finally back to blogging.
But, nevertheless, I packed all my things with enthusiasm and without grumbling. Thank God I had my devotion today; excerpts are as follows:
Tuesday
2009 Golden Globe Awards.
Yesterday, while most of us were trampling the flowers, copying the answer of our classmates, making pranks, and etcetera, the 66th Golden Globe Awards was also being held at The Beverly Hilton. and they actually gave some awards (that's what they actually do) that day.
Nominees and the winners with the category are written below (Source: http://www.goldenglobes.org/)
The Curious Case Of Benjamin Button
Warner Bros. Pictures and Paramount Pictures; Warner Bros. Pictures and Paramount Pictures
Frost/Nixon
Imagine Entertainment, Working Title, Studio Canal; Universal Pictures
The Reader
Mirage Enterprises; The Weinstein Company
Revolutionary Road
An Evamere Entertainment BBC Films Neal Street Production; DreamWorks Pictures in Association with BBC Films and Paramount Vantage
Fox Searchlight Pictures and Warner Bros.; Fox Searchlight Pictures and Warner Bros.
Best Performance by an Actress in a Motion Picture - Drama
Anne Hathaway – Rachel Getting Married
Angelina Jolie – Changeling
Meryl Streep – Doubt
Kristin Scott Thomas – I've Loved You So Long
Leonardo DiCaprio – Revolutionary Road
Frank Langella – Frost/Nixon
Sean Penn – Milk
Brad Pitt – The Curious Case Of Benjamin Button
Burn After Reading
Working Title/Releasing Company; Focus Features in association with Studio Canal
In Bruges
Blueprint Pictures; Focus Features
Mamma Mia!
Relativity Media, Playtone, Littlestar; Universal Pictures
Best Performance by an Actress in a Motion Picture - Musical or Comedy
Rebecca Hall – Vicky Cristina Barcelona
Frances McDormand – Burn After Reading
Meryl Streep – Mamma Mia!
Emma Thompson – Last Chance Harvey
Best Performance by an Actor in a Motion Picture - Musical Or Comedy
Javier Bardem – Vicky Cristina Barcelona
James Franco – Pineapple Express
Brendan Gleeson – In Bruges
Dustin Hoffman – Last Chance Harvey
Best Performance by an Actress In A Supporting Role in a Motion Picture
Amy Adams – Doubt
PenĂ©lope Cruz – Vicky Cristina Barcelona
Viola Davis – Doubt
Marisa Tomei – The Wrestler
Tom Cruise – Tropic Thunder
Robert Downey Jr. – Tropic Thunder
Ralph Fiennes – The Duchess
Philip Seymour Hoffman – Doubt
Best Animated Feature Film
Bolt
Walt Disney Pictures; Walt Disney Studios Motion Pictures
Kung Fu Panda
DreamWorks Animation SKG; Paramount Pictures
Best Foreign Language Film
The Baader Meinhof Complex (Germany)
The Country of Germany
(DER BAADER MEINHOF KOMPLEX) Constantin Film Produktion GmbH; Summit Entertainment, LLC
Everlasting Moments (Sweden, Denmark)
The Country of Sweden and The Country of Denmark
(MARIA LARSSONS EVIGA Ă–GONBLICK) Final Cut Productions Aps; IFC Films
Gomorrah (Italy)
The Country of Italy
(GOMORRA) Fandango; IFC Films
I've Loved You So Long (France)
The Country of France
(IL Y A LONGTEMPS QUE JE T’AIME) UGC YM/UGC Images/France 3 Cinema/Integral Film; Sony Pictures Classics
The Country of Israel
Bridgit Folman Film Gang/Les Films D'Ici/Razor Films/Arte France/ITVS International; Sony Pictures Classics
Best Director - Motion Picture
Stephen Daldry – The Reader
David Fincher – The Curious Case Of Benjamin Button
Ron Howard – Frost/Nixon
Sam Mendes – Revolutionary Road
Best Screenplay - Motion Picture
The Curious Case Of Benjamin Button
Written by Eric Roth
Doubt
Written by John Patrick Shanley
Frost/Nixon
Written by Peter Morgan
The Reader
Written by David Hare
Best Original Score - Motion Picture
The Curious Case Of Benjamin Button
Composed by Alexandre Desplat
Changeling
Composed by Clint Eastwood
Defiance
Composed by James Newton Howard
Frost/Nixon
Composed by Hans Zimmer
Best Original Song - Motion Picture
"Down To Earth" – Wall-E
Music By: Peter Gabriel and Thomas Newman
Lyrics By: Peter Gabriel
"Gran Torino" – Gran Torino
Music By: Clint Eastwood, Jamie Cullum, Kyle Eastwood and Michael Stevens
Lyrics By: Jamie Cullum
"I Thought I Lost You" – Bolt
Music & Lyrics By: Miley Cyrus and Jeffrey Steele
"Once In A Lifetime" – Cadillac Records
Music & Lyrics By: Beyoncé Knowles, Amanda Ghost, Scott McFarmon, Ian Dench, James Dring and Jody Street
Dexter (SHOWTIME)
House (FOX)
Heel and Toe Films, Shore Z Productions and Bad Hat Harry Productions in association with Universal Media Studios
In Treatment (HBO)
Sheleg, Closest To The Hole Productions and Leverage in association with HBO Entertainment
True Blood (HBO)
Your Face Goes Here Productions in association with HBO Entertainment
Best Performance by an Actress In A Television Series - Drama
Sally Field – Brothers & Sisters (ABC)
Mariska Hargitay – Law & Order
January Jones – Mad Men (AMC)
Kyra Sedgwick – The Closer (TNT)
Best Performance by an Actor In A Television Series - Drama
Michael C. Hall – Dexter (SHOWTIME)
Jon Hamm – Mad Men (AMC)
Hugh Laurie – House (FOX)
Jonathan Rhys Meyers – The Tudors (SHOWTIME)
Best Television Series - Musical Or Comedy
Californication (SHOWTIME)
Showtime Presents in association with Aggressive Mediocrity, and Then…, Twilight Time Films
Entourage (HBO)
Leverage and Closest to the Hole Productions in association with HBO Entertainment
The Office (NBC)
Deedle Dee Productions/Reveille/NBC Universal Television Studio; NBC
Weeds (SHOWTIME)
Showtime/Lionsgate Television/Tilted Productions, Inc.; SHOWTIME
Best Performance by an Actress In A Television Series - Musical Or Comedy
Christina Applegate – Samantha Who? (ABC)
America Ferrera – Ugly Betty (ABC)
Debra Messing – The Starter Wife (USA)
Mary-Louise Parker – Weeds (SHOWTIME)
Best Performance by an Actor In A Television Series - Musical Or Comedy
Steve Carell – The Office (NBC)
Kevin Connolly – Entourage (HBO)
David Duchovny – Californication (SHOWTIME)
Tony Shalhoub – Monk (USA)
A Raisin In The Sun (ABC)
Sony Pictures Television, Storyline Entertainment, and Bad Boy Worldwide Entertainment
Bernard And Doris (HBO)
Trigger Street Independent Productions in association with Little Bird and Chicago Films and HBO Films
Cranford (PBS)
A Co-Production of BBC and WGBH Boston.
Recount (HBO)
Spring Creek/Mirage Productions in association with Trigger Street Productions, Everyman Pictures and HBO Films
Best Performance by an Actress In A Mini-series or Motion Picture Made for Television
Judi Dench – Cranford (PBS)
Catherine Keener – An American Crime
Shirley MacLaine – Coco Chanel
Susan Sarandon – Bernard And Doris (HBO)
Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television
Ralph Fiennes – Bernard And Doris (HBO)
Kevin Spacey – Recount (HBO)
Kiefer Sutherland – 24 (FOX)
Tom Wilkinson – Recount (HBO)
Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Eileen Atkins – Cranford (PBS)
Melissa George – In Treatment (HBO)
Rachel Griffiths – Brothers & Sisters (ABC)
Dianne Wiest – In Treatment (HBO)
Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Neil Patrick Harris – How I Met Your Mother (CBS)
Denis Leary – Recount (HBO)
Jeremy Piven – Entourage (HBO)
Blair Underwood – In Treatment (HBO)
Friday
Rather, the city of crime.

Say hello to hell. Or maybe not.

So first, let's talk about guns, 'cakes', and guns and cocaine. Ever familiar with the things mentioned before? The film, the city of God in the film City of God, presents more of these things, along with hoodlum, robbery, deceit, corruption, and murder. Pair it with a dose of racist remarks (if you're a racist) and a hint of comedy and drama, this film will surely loose your screws.
Every scene fires up one's desire either to stop the on-going war, or to just kill someone freely. It opens the eyes of the viewers as to what are the effects of these contemptuous acts, especially for the young people. And on the later part of the movie, the viewers will see the changes that can be brought about if one's ideals are paired with revenge or any extreme emotional disturbance.
This film will surely stir your insides.
How was the concept of death incorporated in this film? Simple. The killing spree. This simple notion of death was further intensified by the director or the film editors, by dimming the film, by the use of deadly weapons, which obviously signify death, and the different roads, where the killings usually took place. Also, notice that the director of photography, if you meticulously looked at the movie completely, you'd notice that when the chicken was lacerated using that sharpened saw, it was completely focused to give the audience an idea that the film was somewhat that morbid.
Summing all up the symbols presented in this film, we can clearly say that all leads to death.
Sunday
Love: The Venom and the Vortex
If you want to commit suicide because you think that your work or academic life is too exhausting, well, if you haven't been in love, you better think again.
Love creates a maelstrom inside us; a conflict between emotions that eventually stirs us and makes us different from what we used to be. It separates and takes us from our own world into another dimension that either electrocutes us when we get there or makes us feel ecstatic like we have been drugged or what. It has its own symptoms: restlessness, pimples, loss of appetite, and even dilation of pupil. It flows first through our bloodstream, like venom, instantaneously circulating and following the blood's pathway. Soon, it will reach the different organs, for example, brain, dominating each organ, and altering its corresponding functions in accordance to its own plans. There will come a time that we suffer from love, we suffer because of love. This is because humans are weak, vulnerable, and fragile when it comes to love. Love easily dominates our own system, our own body, for we wittingly (or unwittingly) allow it, and until a time that we totally lose our consciousness. Love is domineering, like us, but only stronger.
And there you are, being in the state of coma, except you can still walk, talk, eat; in short, physiological processes happen except that you are mindless, brainless, and you don't have control over things. Everything that you earned before you're struck with love are gone wasted. You throw everything away for the sake of one thing, of one person, even if several of these things are important to you.
But what makes all of these things exhausting? What makes love exhaustive in nature? It is the heart, of course. For once you've been petrified by love, as it takes over the system, its minion, the heart, also takes over. And every beat that it does, the hematic disease is being spread. And because of the feeble heart, love dominates. When it dominates, we do certain things that we almost exhaust every thing that we have. When we are almost exhausted, mutually or not, love is left and so is the feeling of physical and mental exhaustion.
As we gain our consciousness, we see ourselves six feet below the ground, tears falling, with nothing but love that now turns to false hope. We are back in our own world, nauseous because of the head-spinning journey (and feeling), as if the some of our nanoparticles are left behind. We then ask ourselves, what the hell happened? We pretend; we act as if we hadn't been bitten by a venomous snake; we defecate until our everything becomes one, and the whole world becomes whole. We breathe in deeply, and out; the journey was fun. We get a syringe, with a specific serum in it and a label that says "anti-venom", then injecting into our infected vein. We breathe in again, and out; I won't go back in there again.
So to speak: love is powerful you know. Never underestimate that.
Next time you think that life is too exhausting for you, think about love. But even if love is exhausting, per se, still, we'd want that feeling, and that's why we still persevere in achieving things. So that when we once again be whirled by love, be intoxicated because of love, we can, however, pay the things that we feel.
Tuesday
First Repost - Wanted: A New Activism by Nicolo Del Castillo
This article is not only applicable to the affected ones (mainly UPD), but also to other schools/establishments that suffer from "unexpected" expenses due to the mischief of graffiti.
If activism is to be acquainted with graffiti, i.e. spray-painted protests on the walls, I daresay that it is still quite an effective method. However, it depends on what is the writing all about. Quoting Ivy, "what's up with all the vandalism around and outside campus. i don't get the point of having the need to vandalize walls just to get your points across. seriously, it's passe already.", that indeed it is passe, from bored people who write useless phrases on the walls or tables, to historic people using blood as their ink, vandalism has been passed through generations, mixed with ideals and trash. (My history is a bit rusty.oops). Now, what sets the disparity between a mark from a vandal, and a mark from a passion-induced writings is mainly the author's objective. A piece of paper with mere words and sentences on it is different from a paper filled with concrete statements and ideas.
But like any paper or whatnot, certain circumstances must be considered. Not all people consider certain outstanding thoughts different to thoughts of a vandal; thus, even if the activist writes something of pure and concrete idea, if others sense it as invalid, then they consider it as a vandal. Even the price is not fair for the other party, since the writings lead to defacing/destruction of walls or objects. Well, other things are described/explained below by N.del castillo (though I like some of his points because of its trueness):
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WANTED: A New Activism
by Nicolo del Castillo
"This is in reaction to the recent vandalism of UP buildings during the UPCAT weekend.
Spray painting slogans and messages is an old, worn-down way of catching attention. What these people do not realize is that in doing so, they contribute to more resources being siphoned away from delivering education. The paint used to cover their marks, the gasoline used to buy the paint, and chase the culprits (they weren't caught but we have their plate number), all redound to money spent away from direct education.
Shouting and spray painting may still be effective, but much more so quietly distributing leaflets with arguments against the TOFI to parents waiting for their children finish the UPCAT. Engaging people in confident discussion (not memorized lines) about what increased tuition fee does for the country's future will win more hearts and minds than violently flailing words on walls.
You call spray painting brave? I beg to disagree. They run and hide after proclaiming their stand. They would rather besmirch their perceived enemies' buildings with paint than show their enemies' arguments for what they really are.
Truly brave men and women walk slowly, speaking their truth softly and clearly with the aim to convince others rather than scare them; aiming to build a constituency, rather than divide and label people as "for" & "against", "pasista" & "aktibista". The brave are not afraid to stand alone and face the current. They are steadfast in pointing to the light or an alternative way, and have faith that people will soon see their truth.
We need new activists who understand what activism is. It is to be actively, consistently, and bravely forming a stance that would shed new light to old paths and show society a new way of doing things. It is doing the small stuff that ultimately become a mountain of work. It is giving of oneself to a quest, be it a lonely one. It is braving the rain to hold a candle to the dark. "
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I'd like to further discuss my points. But I'm sleepy, and I choose my bed rather than this machine I am operating.
WARNING: Cross-posted to blogger and multiply.


